January 30, 1999, the public parade Yves Saint Laurent Rive Gauche for man has not the opportunity to put a face to the name of Hedi Slimane. The architecture curve of the Cité de la musique limit, indeed, the opportunity to see the young artistic director at the end of the first show of his career. Six months later, at the American Center by Frank Gehry (who has not yet the Cinémathèque française), the creator imposes a design that will remain etched in the memories and will become the standard of his shows, even today. A ramp spots incandescent acts as a backdrop to a dozen meters wide. The models make a decided move in out-of-sync on the entirety of the space. Is it the staging? The season (spring-summer 2000, is the first collection of the new century)? Or cuts more assured of silhouettes? The moment is a turning point in the mode, and the radical style of Hedi Slimane, has a …

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